Mega Millions® tickets must be purchased from a licensed lottery retailer. Q: Can I buy Mega Millions® tickets online or by mail?Ī: No. Once a Mega Millions® ticket has been printed, it cannot be canceled. Q: Can a Mega Millions® ticket be voided or canceled?Ī: No. Q: How late can I purchase Mega Millions® tickets on a draw night?Ī: Mega Millions® sales are suspended 15 minutes prior to the draw. Multi Draws will include the next upcoming draw and be consecutive from that draw. Q: Can I purchase Mega Millions® tickets in advance?Ī: To play multiple upcoming draws, request from 2 to 20 Multi Draws either on the playslip or through the retailer. The Megaplier® option costs an additional $1 per play. Q: How much do Mega Millions® tickets cost?Ī: Mega Millions® tickets cost $2 per play. Points for Prizes® codes from terminal-generated games not associated with a draw must be entered within 180 days of purchase date whereas draw related games are based on the last draw date printed on the front of the ticket. Look for the 20 digit Points for Prizes Code. Visit to enter and add Points for Prizes® points to your account. Winning and non-winning numbers from terminal-generated games like Mega Millions® are eligible. Q: Can I enter non-winning Mega Millions® tickets in Points for Prizes®?Ī: Yes. A multiplier of 2, 3, 4 or 5 is randomly selected during the drawing for determining Megaplier® prizes. Q: Which has better odds - picking my own numbers or requesting a Quick Pick?Ī: Whether you pick your own numbers or have the terminal randomly select numbers for you, the odds of winning are the same.Ī: Megaplier® can be added to any Mega Millions® play as an option to increase non-jackpot winnings up to five times. The five white ball numbers and the one Megaball® number are drawn from separate sets of balls, so the Megaball® number could be the same as one of the white ball numbers. Q: Is it possible for the Megaball® number to be the same as one of the five white ball numbers?Ī: Yes. Past draws are available to watch online here: MEGA MILLIONS® FREQUENTLY ASKED QUESTIONS: Playing Mega Millions®Ī: Mega Millions® drawings are held in Atlanta, Georgia. For an additional dollar, you can add the Megaplier® option to multiply non-jackpot winnings by 2, 3, 4 or 5 times. If other players also match all six numbers, the prize will be shared in equal amounts. If all your numbers match those that are drawn, you win the jackpot, which starts at an amount set by MUSL and grows until someone wins. Five numbered balls are drawn from 1 to 70 and one numbered ball is drawn from 1 to 25. Mega Millions® is a multi-state jackpot game. Megaplier® adds $1 per Play to all Plays and Multi Draws on the playslip.Ĩ) Mark MULTI DRAWS to play up to 20 consecutive draws (adds $2 per Play for each draw). Mark VOID and use the next Play.Ħ) Mark up to five Plays on a playslip for $2 each.ħ) Mark Megaplier® to multiply non-jackpot winnings by 2, 3, 4, or 5 times. Draws cannot be skipped.ĬHECK YOUR TICKETS: Winning numbers are available at, from your local retailer, or by calling 501.682.4966.ġ) Mega Millions® tickets cannot be canceled.Ģ) Mark QUICK PICK (QP) to have numbers selected randomly by the terminal.ģ) Mark 5 numbers from 1 to 70 in the left play area.Ĥ) Mark 1 Megaball® number from 1 to 25 in the right play area.ĥ) If you make a mistake, do not erase. PLAY MULTIPLE DRAWINGS: Request from 2 to 20 Multi Draws either on the playslip or through the retailer. Mega Millions® sales are suspended 15 minutes prior to the draw. Use a playslip to mark your numbers or mark the Quick Pick (QP) box for randomly-generated numbers.īUY YOUR TICKET: Mega Millions® tickets cost $2 per play. PICK YOUR NUMBERS: Select five numbers from 1 to 70 and one number from 1 to 25 for the Megaball®.
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Notice that in this state, your MacBook is still powered by the charger, but the battery is not charging anymore. After a while, clicking on your battery icon will report "Battery is not charging" if you have more than ≈73% left, even though your charger is connected. You can check if it's working by setting the max. Usually, the operating system will take a minute or two registering the changes, so be patient. charging percentage by clicking on the □ icon on your menu bar. When the installation is finished, enter your desired max. You can download the app from GitHub: Installation GuideĪn installation guide can be found on our website: How to use MacBook Pro (Retina, 13-inch, Late 2013).MacBook Pro (Retina, 15-inch, Late 2013).MacBook Pro (Retina, 13-inch, Mid 2014).MacBook Pro (Retina, 15-inch, Mid 2014).MacBook Pro (Retina, 13-inch, Early 2015).MacBook Pro (Retina, 15-inch, Mid 2015).MacBook Pro (13-inch, 2016, Two Thunderbolt 3 ports).MacBook Pro (13-inch, 2016, Four Thunderbolt 3 ports).MacBook Pro (13-inch, 2017, Two Thunderbolt 3 ports).MacBook Pro (13-inch, 2017, Four Thunderbolt 3 ports).MacBook Pro (13-inch, 2018, Four Thunderbolt 3 ports).MacBook Pro (13-inch, 2019, Four Thunderbolt 3 ports).MacBook Pro (13-inch, 2019, Two Thunderbolt 3 ports).MacBook Pro (13-inch, 2020, Four Thunderbolt 3 ports).MacBook Pro (13-inch, 2020, Two Thunderbolt 3 ports).Supported MacBook Models (macOS 11 Big Sur or later required) Click here for supported MacBook Models MacBook Pro Read more about the Discharge feature here: Unfortunately, while Discharge is activated, clamshell mode is not supported due to technical limitations. Therefore, you can actively discharge your MacBook to a more healthy percentage. Discharge - This feature allows your MacBook to run completely on Battery even if it is plugged in.Read more about the Charge Limiter feature here: You can either set it by using the slide bar or by typing in the desired percentage in the field above and pressing enter afterwards. Charge Limiter allows you to set your maximum charging percentage between 20 and 100 percent.If you are interested in getting the most out of your battery, check out our website: ĪlDente Pro is now available in Setapp too: Features of AlDente Free It offers a better design and has live status icons. It has many more features such as Heat Protection, Sailing Mode, Top Up, Calibration Mode. Keeping your battery at 100% at all times can shorten the lifespan of your MacBook significantly.ĪlDente Pro is our paid version of AlDente. Li-Ion batteries (like the one in your MacBook) last the longest when operating between 20 and 80 percent. MacOS menu bar tool to limit maximum charging percentage Don't overcook your battery! Keep it fresh and chewy with AlDente.
Steinberg has spearheaded music software development for over 30 years, and through Cubase, which started as a MIDI sequencer, introduced a whole generation to the block-based arrange screen now used in the majority of today’s DAWs.Īlong the way, the company also invented virtual studio technology (VST), developed a class-leading audio editor (WaveLab) and survived the dark days of software piracy.ĭespite increased competition, Cubase is still up there at the head of the DAW pack. For the price, Mac users won’t find a more comprehensive set of music production tools anywhere else. More than all that, though, Logic Pro remains superb value for money. There are new mixer and panner controls for this, and 12 other Logic Pro plugins are now spatial audio-ready, too. It's also worth noting that, as of Logic Pro 10.7, Apple's DAW enables you to create tracks in the company's Dolby Atmos-powered spatial audio format. There was also a new step sequencer, completely overhauled samplers and new tools for electronic beatmakers. Version 10.5 was Logic Pro 11 in all but name, turning this most traditional of DAWs into a truly contemporary music-making platform.Ĭentral to this overhaul was the addition of Ableton-style Live Loops, which enable you to jam with ideas before recording them to the main timeline. It’s been a while since we had a ‘full’ new version of Logic Pro - version X was released way back in 2013 - but numbers can be deceiving. It retains its place at the cutting edge of DAW technology. While some of the changes in Live 11 might require a little getting used to for veterans, Ableton has again managed to enhance the software's capabilities without adding bloat to its famously streamlined workflow. Further updates have added native support for Apple's M1 and M2 Macs and AUv3 plugin compatibility, so you can now run certain iOS synths and effects within Live, too. There are new devices, too, along with updates for existing ones. The long-awaited Live 11 takes things to the next level, adding much-requested features such as an elegant comping system and support for MPE. Since then, it's exploded in popularity and influenced the development of countless other desktop and mobile apps. When the first version was released in 2001 it threw out the traditional design rulebook and established itself not just as a recording program for composers, but also as a performance instrument in itself. It's hard to overstate the impact that Live has had on the music software marketplace. Plugin delay compensation is still an issue for a few of the effects In truth, any one of these products will enable you to make music - and we're not saying that any one is definitively better than all the others - but they’re all slightly different in the way that they operate, so it’s worth taking the time to consider your options carefully and try out demo versions wherever possible. To help you find that DAW, we’ve put together an expert guide to what we consider to be the best Digital Audio Workstations on the market today, including full reviews for many of our choices. Put simply, the best DAW for you is the one that makes it easiest for you to make music, and inspires you to keep creating. Yes, you’ll likely have a MIDI keyboard, audio interface, set of studio monitor speakers and possibly a microphone or two in your home recording setup as well, but your music production software sits at the centre of everything, and if it's not working for you, your level of creativity is likely to be compromised.Īs such, it’s important to get a DAW that you’re happy with - and, perhaps even more importantly, a digital audio workstation that will enable you to turn your ideas into music as quickly and painlessly as possible. For the final 360 video I therefore decided to combine both performances in a single video, with a transition from the Convento de Cristo to the Batalha Monastery occurring approximately halfway through the piece. Both locations were very well suited to spatial performances, and so the concerts also featured some other well known works of spatial music, most notably Tallis’ Spem in Alium (which was the subject of some previous posts). The piece was performed twice by the Zêzere Arts Festival choir, conducted by the wonderful Aoife Hiney, in two quite spectacular venues, namely the Convento de Cristo, Tomar (pictured above), and the Batalha Monastery. The lyrics consist of some fragments of poetry by Pablo Neruda as well as some original lines of my own. The score of this opening section can be seen below. Large numbers of these sibilant phrases are overlapped in an irregular fashion to deliberately disguise the individual voices and create a very large, spatially complex timbre of rolling noise-like waves. The opening of this piece will contain a significant degree of spill due to the common tonality of each part and will thus be perceived as a very large and diffuse texture. However, Brant was also aware of the perceptual limitations of this effect and he noted that precise spatial trajectories became harder to determine as the complexity and density of the spatial scene increases. Instead a continuous “ssssss” sound is produced for each entire phrase.īrant used the term spill to describe the effect of overlapping material produced by spatially distributed groups of musicians. The note durations are provided to indicate durations for the dynamic changes and do not indicate pitch. The angled lines in the score indicate the dynamics which are divided into three levels, below the bar line indicating fading to or from silence, above the bar line indicating maximum loudness and on the bar line indicating a medium level. In the opening section, each singer produces a continuous unpitched “sssssssssss” sound which follows a given dynamic pattern. These sibilant sounds are also used in isolation at the beginning of the piece, to create a wash of noise-like timbres which mimic the sounds of crashing waves suggested by the title. The beat is further delineated through the use of alliteration in the text as the unavoidable sibilant sounds mark the rhythmic pulse. Certain individual voices are further highlighted through offset rhythmic pulses and sustained notes.Īs exact rhythmic coordination is difficult to achieve when the musicians are spatially separated and hence a slow, regular tempo is used throughout. However, this problem is significantly reduced when the individual voices are spatially distributed. If this chord was produced from a single spatial location, it would collapse into a dense and largely static timbre. In particular, spatial separation is used to clarify and distinguish individual lines within the extremely dense, sixteen part harmony. The piece utilizes many of Henry Brant’s ideas, albeit with a much less atonal harmonic language. The choir is divided into four SATB groups positioned symmetrically around the audience and facing a central conductor. This noise texture was originally intended to accompany the choir, however in practice this proved to be unnecessary as the choir could easily produce hissing, noise textures which achieved the same effect. When a very large grain duration was employed the granulation algorithm produced a rolling noise texture which rose and fell in a somewhat irregular fashion and was highly reminiscent of the sound of breaking waves. The initial inspiration for this work came from some experiments with granulated white noise. The piece was commissioned by the Spatial Music Collective and New Dublin Voices choir, and was first performed by New Dublin Voices in Trinity Chapel, in January 2008. Sea Swell was my first choral composition, which I wrote many years ago in 2007 while working on my PhD in Trinity College Dublin. You will spawn a little further away from the Command Post at one of the pre-set spawn locations.That is contested but under your team’s control.You will spawn close to the Command Post at one of the pre-set spawn locations.You will have the ability to spawn onto any Command Posts that your team has currently captured, even if it is being contested. Alongside your Squad members, you will now be presented a list of Command Posts to spawn onto as well. Once you have been defeated in battle you will be presented the Squad Spawn menu as normal. Once the time runs out, the battle will return to the planetary phase. This means that the attacking team will now have a 5-minute window to destroy the generators. Next, we’re changing the Capital Ship phases to be based on a timer. If you succeed in that, your team will gain an additional 5 minutes and can now open fire on the enemy target.Īny damage caused to the enemy target will be persistent, meaning even if you fail in destroying the target fully, you can pick up right where you left off in subsequent Assault attempts. In order to destroy the ship, you must first capture one of two available Command Posts located on the ship. Once you’re breached the enemy ship, you have 5 minutes to destroy it before the action returns to the ground. We’re making some changes to the Capital Ship phase of Capital Supremacy. Since the release of Capital Supremacy we’ve seen this addition be requested multiple times and we’re incredibly happy to be adding them to our rotation. We’re bringing both the Separatist Dreadnought and Republic Attack Cruiser to Heroes vs Villains. Check out the full Star Wars Battlefront 2 update 1.37 patch notes below for this “Roger Roger update.” Star Wars Battlefront 2 update 1.37 patch notes: As promised in the Star Wars Battlefront 2 roadmap update, a new patch, which includes a slew of new content, and much-needed balance changes have been rolled out by DICE earlier today. Small format sheet and roll sizes available through an Authorized ORAFOL Reseller.Large format sheet and roll sizes available through an Authorized ORAFOL Distributor.Wet application is acceptable when applied to glass or automotive surfaces.Highly opaque with a UV-resistant gloss finish.Transparent clear, solvent-based, permanent adhesive.With effortless plotting and weeding properties and a broad color range of over 60 vibrant, high-gloss colors, the application possibilities are endless. The company has quickly become the leading manufacturer of calendered vinyl films in Europe, and an emerging global leader in a wide range of product markets including high-performance cast films, digital inkjet media, laminating films, retro-reflective films, screen printing film and industrial tapes.ORACAL® 651™ is the leading intermediate calendered PVC film in the sign and graphics industry – a marquee product for over 25 years! It is one of the most versatile, graphic marking films designed for a multitude of indoor and outdoor applications that continuously exceed expectations. This craft vinyl is compatible with all personal hobby and craft cutters and. It has a removable adhesive and a matte finish. Today, they have more than 1.5 million square-feet of state-of-the-art manufacturing facilities in Oranienburg, Germany, and distributors in more than 80 countries across the globe. Oracal 631 Removable Indoor Vinyl Oracal 631 is an adhesive vinyl with a paper backing that protects the adhesive until removed. ORAFOL Europe GmbH is a company with a rich history dating back to 1808. is a subsidiary of ORAFOL Europe GmbH a recognized global manufacturer of premium vinyl graphic products, reflective solutions and adhesive tape systems used in the signage, graphics, industrial, traffic and safety applications. ORAFOL Americas, drawing on more than 200 years of manufacturing experience and a sustained record of product innovation, enjoys a loyal and rapidly growing following of reflective, adhesive tape and graphic professionals dependent on ORAFOL products that look great, perform well and stand the test of time. It features a clear, solvent-based removable adhesive. ORAJET 1663 is a 4.25 mil printable vinyl that is top-coated for use with solvent, eco-solvent, Latex, and UV-curable inks. 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With the mounting frame, they are 20.75" inches wide x 5.25" inches tall (or 530mm x 135mm).Īny more questions? Please visit our FAQ page, email us: or call 88. The plates are approximately 20.5" inches wide by 4.5" inches tall (or 520mm x 114mm). Armed with proton packs, ghost traps, and other cutting-edge gadgets, the quirky team of Peter Venkman (Bill Murray), Ray Stantz (Dan Aykroyd), and Egon Spengler (Harold Ramis) take on the city's paranormal threats. Visit the mounting frames page for more info. The story follows a group of scientists who embark on a ghost-catching business venture in New York City. To see what will work best for you, visit our mounting hardware page.Īll our frames are designed to be universal and fit on any vehicle, even with curved bumpers and bumpers with holes for US license plates. Of course, you are welcome to change the quantity or purchase additional plates as desired.Ĭan I choose a different font or add more letters? When your order is shipped, we will send you an email with a tracking number.ġ order is for 1 plate and 1 frame. International orders are shipped from Germany and take about a week. US orders are shipped from California and usually take 2-3 days with standard shipping. We try to process all orders in one business day. To see all our shipping options and destinations, visit our shipping information page. Echa un vistazo a nuestra selección de ecto 1 license plate para ver las mejores piezas hechas a mano, únicas o personalizadas de nuestras tiendas de matrículas para el coche. The repaired Ectomobile is named on-screen with the license plate shown reading 'Ecto-1'. Hot Wheels Elite released a highly detailed 1/18 diecast of the Ecto-1 in 2010 and in early 2013, they released a 1/18 Ecto-1A as seen in Ghostbusters II. For more info check out this video.Īlmost all plates are $45 and come with a free universal mounting frame. In 2010, Hot Wheels released a 'Ghostbusters Ecto-1' as part of the '2010 Hot Wheels Premiere' series. The letters are embossed/pressed into the aluminum plate, and then color is baked on to the text and border. Sorry, the website can't show a preview of the seals on the plate. Ghostbusters Movie Replica 6x12 License Plate ECTO-1 New York Vintage Auto Tag 1959 Cadillac Hearse Prop Metal Sign (3.3k) AU 23.87. First add the space or dash to the desired part of the plate, then add the plate to your cart and then add the desired seals to your cart. You can also place seals above and below a dash/hyphen. Seals require 1 full space (tap on the spacebar or click the half space button twice). How many characters can I fit on a plate?ĩ (including spaces), or 10 on a plate with no decal. I may earn a commission when you make qualifying purchases through my website. If you like this recipe, be sure to check out some of my other similar recipes!ĭisclosure: Cooking in the Midwest participates in affiliate advertising programs. The buffalo sauce did not make this recipe too spicy.If you try to double this recipe, it only needs about 3 cups of milk.I used freshly shredded cheddar cheese and jack cheese, but you can use any of your favorite cheese combos.Slowly whisk in cream, milk, mustard powder, onion powder, salt and pepper. In a large saucepan melt butter over medium heat. Cook macaroni according to package directions. Always cook chicken until it reaches 165 degrees. Spray a 9×13 inch pan with non-stick cooking spray.Top with some chopped green onions and serve! Helpful Tips and Frequently Asked Questions Add the chopped kielbasa to your pan of veggies and sauté for another 5 minutes or until little crispy edges. Sauté them all in butter for about 5 minutes on medium heat. Chop raw broccoli, green onion, and red pepper. Stir well one more time and then it is time to eat! Boil salted water and cook 2 cups of uncooked macaroni until al dente (5-6 minutes). Stirring will help the cheese sauce come together.Īfter cooking for one hour, stir in 1/4 cup of sour cream and let sit for 15 more minutes. I like to stir at least a few times while this is cooking. This will cook in the crockpot on low for 1 hour. Pour the partially cooked macaroni into the crockpot.Īdd the milk, shredded cheddar cheese, Monterey jack cheese, and cream cheese to the crockpot and stir well. This classic casserole recipe is dump-and-bake, meaning theres only two steps to the entire thing. Shred or chop up chicken and add it back to the crockpot. This will help make sure the noodles don’t overcook when they finish cooking in the crockpot. Cook this on high for about 3 hours or until the chicken is fully cooked and reaches 165 degrees.īoil elbow macaroni noodles for 3-4 minutes and drain. I like using Sweet Baby Ray’s Mild Buffalo Sauce. In a large saucepan on the stove top, bring 4-5 cups of generously salted water to a boil. Next, add one pound of chicken to the crockpot and season with salt, pepper, paprika, garlic powder, and ranch seasoning.Īdd 1/2 cup of buffalo sauce on top of the chicken. In a small bowl, mix together the chili seasonings and set aside. To make this buffalo chicken macaroni and cheese recipe, start by getting out your crockpot and spraying it with cooking spray.
Jeanne Cross, a licensed clinical social worker from Lakewood, Colorado, states, “People who suffer from harm OCD are not at any greater risk than the general population of harming others.” In fact, harm OCD behaviors stem from an intense fear of causing harm. People living with harm OCD do not want to cause harm, even though they may have thoughts of that nature. Harm OCD is not considered a condition that makes you dangerous to yourself or others. heightened anxiety, especially when exposed to potential triggers like media stories about accidents or violence.engaging in avoidance behaviors, such as staying away from loved ones for fear of hurting them.intense feelings of guilt and distress over harm-related thoughts, even when they haven’t been acted on.spending excessive time seeking reassurance.He explains warning signs of harm OCD tend to include: Ryan Sultan, board certified psychiatrist and professor at Columbia University in New York City. They are, in fact, typically horrified by them,” says Dr. “It’s crucial to understand that people with harm OCD do not want to act on their intrusive thoughts. If you have a loved one living with this condition, the warning signs may not be obvious, especially in children who may not yet be able to explain or express what they’re experiencing.Įven though harm OCD involves thoughts and urges that may be violent in nature, the warning signs are not usually outwardly aggressive. For example, throwing away your kitchen knives. strict avoidance of situations or objects that could cause harm.For example, avoiding subway stations due to thoughts of pushing someone into the tracks. avoiding public places that might trigger an obsession.driving the same route multiple times to ensure you didn’t hit anyone.They’re typically actions opposite in nature to obsessions because you don’t really want to cause anyone harm, you just can’t help thinking those thoughts.Įxamples of harm OCD compulsions include: having thoughts about sexually assaulting or raping someoneĬompulsions in harm OCD are there to neutralize the intrusive thoughts you’re experiencing.imagining running people over with your car or jumping into traffic.thoughts of purposefully jumping or falling from too-high places.visualizing cutting or hitting yourself or attacking others.They can come in the form of violent mental images, for example, inner voice commands to act out or fantasies about what would happen if you were to harm someone or yourself. This is known as your level of insight into the condition.Ī lack of insight, where you are completely unaware or disbelieve you may be experiencing a disorder, is called anosognosia.Īny obsessions and compulsions involving harm can be a part of harm OCD. Some people living with OCD also live with a tic disorder, a condition of uncontrollable, brief moments of motor or vocal expression.Īccording to the Diagnostic and Statistical Manual of Mental Disorders, 5 th edition, text revision (DSM-5-TR), you can be aware intrusive thoughts in OCD are probably not going to happen. avoidance of situations related to triggers.a sense of unease in places where things don’t look or feel just right.Obsessions and compulsions are the primary features of harm OCD, but you may notice other symptoms, including: It’s possible to live with harm OCD and experience obsessions and compulsions with other OCD themes, such as: They help relieve negative emotions like fear or anxiety and adhere to a rigid set of personal rules, like needing to perform an action a specific number of times. They’re usually unwelcome and distressing, and they’re not within your control.Ĭompulsions are ritualistic mental actions or repetitive behaviors in response to an obsession. Obsessions are persistent thoughts or urges. Harm OCD shares the same core symptoms of obsession and compulsions as other manifestations of OCD. |
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